Fruit Full, art and science

our inner child's garden

We all have childhood memories associated with fruits, probably mostly good memories but some not so good too. I am in my sixties, so my memories are starting to feel like those of old times but I hope that fruits will carry on being a part of how we remember childhood. They are too precious to lose their place amongst the experiences shaping our relationship with the world.

I can remember raspberry jam cooking in huge pans in the kitchen and being asked to watch out and go in the garden to warn my mother before the jam was boiling, which of course it did, and then boiled over, all over the stove, spreading sticky pink goo everywhere. But forget the rest, the aroma of cooking raspberry jam... irreplaceable.

I can remember the smell of oranges at Christmas, wafting from the heat of the candles lighting the tree. Oranges were only for Christmas then. Well, for the winter anyway. I can remember the gooseberry bushes in the garden, loving the almost transparent fruits, slightly rough on the fingers. And when a neighbour offered us some raspberries (again!) from her garden, well they were the best raspberries I have ever eaten, ever!

Apparently, we often say that fruits tasted so much better in our childhood and we keep looking to find the same perfect fruit, always ending up disappointed. It could be that our young taste buds are primed for the particular combination of sweetness and tartness that fruits offer. Or it could be that one can never forget the pleasure of discovering a new taste for the first time.

And then, fruits are all about touch. Their shape, their skin, their softness or firmness, waiting to be squeezed and for the juice to stain the fingers before it reaches the mouth, or to take large chunks and fill our cheeks with huge bites. And then sucking the juice before it dribbles onto the chin and we get told off for being naughty. The fruits picked from neighbours gardens are always the best, particularly when we shouldn’t go there. Or when we climb high up in the tree to reach that glistening apple, perfectly round and red, tempting us, out of reach.

I remember being on a cycling holiday in southern France a long time ago and coming across people picking cherries in a big orchard. We asked if we could have some and they said to go to those trees over there and have as many as we wanted, they were too ripe for market they said, and we did, filling our mouth with gorgeous juicy cherries, so much so that one of us got sick afterwards. If you want to know, it wasn’t me.

Fruit Talk is made using real objects which in my mind are all associated with childhood memories of fruits, gardens, nature and our relationship with grand-parents and other people as children.

The installation includes quotes about childhood memories from the focus group discussions which took place at the University of Reading as part of the project. You can also listen to a recording of their conversation below.

Fruit Talk is the sister work of another installation, The Sugar Spell, which explores some of the states of mind we experience when eating sugar and what makes it so attractive to us.

For an overview of this art and science project, go to: Fruit Full home page

The interview included here is of the older focus group exploring what they ate as children and what they eat now:

Museum of East Anglian Life

Museum of East Anglian Life


The installation Fruit Talk is made from real objects, including a fruit harvesting trolley.

Victoria plums

Victoria plums

Victoria plums

Victoria plums

Fruit Talk installation

Fruit Talk installation


Let’s start on our childhood memory lane with Christmas. Here is the installation Fruit Talk. You are viewing it from the side which features the Christmas tree.

Oranges are not part of this project but plums are and we’ve all heard of plum pudding. In the past, dried plums were very common, so much so that all dried fruits were called plums, and what is Christmas without plum pudding, even if it doesn't contain any actual plums?

Artistic licence has allowed me to replace the Christmas tree fairy with a garden gnome, below. Why not? He’s enjoying sleeping up there, waiting for spring to arrive.



The garlands on the Christmas tree are made of real dried fruits: cherries, raspberries, quinces, mulberries and even chunks of Pestil, the plum preserve from Bulgaria.

Real candles are no longer in order but if they were, their warmth would release the scents of the fruits beautifully. We can just imagine it...


dried fruit garlands

dried fruit garlands

dried fruit garlands

dried fruit garlands

Christmas gnome

Christmas gnome


Here is a quote from the focus group:

"My mother knew fruit was healthy and she provided it but she couldn’t stand it and never ate it and she taught me that when you eat an orange you chop it up and dip it into sugar and if you eat a banana, you slice it and sprinkle it with sugar. That was her way to get fruit down."


the perfect cherry

the perfect cherry

cherries and stones

cherries and stones

Eastern bunny

Easter bunny


Easter has a very different feel to Christmas, all outdoor egg races, springtime blossoms and chocolate bunnies. It’s too early in the year in our climate for locally grown fruits but when I think of chocolate, I also think of amaretti, the Italian biscuits made with apricot kernels.

Cherries and apricots are from the same tree genus: Prunus, so above are some cherries to delight your senses.


Easter eggs

Easter eggs

Easter bunny

Easter bunny


I’ve included in the installation some traditional wooden painted Easter eggs from Ukraine and a cuddly bunny. I’ve wrapped them up as Christmas presents under the tree because animals are often given to children as presents, not always with the animal’s best interest at heart. The wrapping paper is made of chickenwire - rabbits, whether as pets or for food, are kept in cages after all, and many chickens too.

Make what you will of the meaning of Easter but one cannot deny its ancient association with the arrival of spring and the fertility rituals accompanying it. Anyway, what is more beautiful than a ornamental cherry tree in full blossom?

Below is a close-up of plum flowers.


close-up of plum flowers

close-up of plum flowers


Here is a quote from the focus group:

"I could never eat spaghetti when I was a child, because my father would be out in the garden gardening, and he used to pick up worms, and he’d pretend to eat them, and then you’d go in and there’d be a plate full of worms spaghetti... It used to make me really feel queasy."


glass seedlings

glass seedlings


Sowing seeds and seeing new plant life emerge is one of the most fascinating activity any child can do, however old you are. I remember being amazed to learn (what ignorance!) that seeds contain an actual plant embryo, just like we do when pregnant, with all the nutrients needed for its survival until germination, if the conditions allow it.

I wanted to find a way of representing visually the vulnerability of young seedlings and their delicate living cells. So I chose glass beads to make the leaves but I don’t think I succeeded. This is an example of the real world being far more magical, surprising and beautiful than most of us can ever portray it.


glass seedlings

glass seedlings


Here is a section of the installation with the glass seedlings, a child’s basket and gardening tools.

In the distance, you can see the barbecue: the world on some charcoal, more of which later on.


Fruit Talk: spring

Fruit Talk: spring

a raspberry

a raspberry


Summer is here, the sun is out and it’s time to roam. We’re on holiday. And it’s the season of raspberries, yes, yes! If you’re brave enough, you can make a den amongst the thorny wild canes in the woods but the best tasting fruits will be those grown in full sun, so keep searching. Otherwise there is always raspberry jam...

The sunflower sun below includes a glass artwork by Catherine Dickenson of Whitethorn Glass.


Fruit Talk installation

Fruit Talk installation

sunflower sun

sunflower sun

a bug hunt

a bug hunt

a bug hunt


Wild berry picking goes hand in hand with bug hunting and botanising. Nowadays hunting for bugs wins over looking at flowers but don’t be fooled: without the plants there would be no bugs!

Under the magnifying glass, you can see the petals, stamens and stigmas of plum flowers.


close-up of plum flowers

close-up of plum flowers

a camp fire

a camp fire


You’ve probably been on some memorable camp fires. Maybe you still enjoy them now? The deliciously burnt sausages, the golden jacket potatoes and melting marshmallows. Sitting and eating in the smoke. At twilight, seeing the moving shadows lengthen and the noise of the woods becoming slightly scary...

I know, fruits don’t feature in this bit but it’s all part of enjoying nature and I’m convinced they taste better by a camp fire!

Finding an empty birds nest is also a real treat, to be added to your den - can you guess which bird it was? Ignore the feathers, I’ve added them later and just remember never to disturb birds nesting during the breeding season.

The cooking spoon, fork and ladle were made by Daegrad Tools.


birds nest

birds nest

Fruit Talk installation

Fruit Talk installation


Here is a quote from the focus group:

"There was always a lot of vegetables because my dad had a double allotment which he was absolutely addicted to, all of Sunday he would be on the allotment and he grew all sorts of different things. So yes, there was always lots of vegetables and salads, and then fruits at the top half of the garden with fruit bushes, and we’d go out blackberry picking and hip and hawberry picking. Quite often that was turned into jam but you probably ate more than half of what you picked!"


enter the mind of a raspberry

enter the mind of a raspberry


In my child’s mind, autumn is the beginning of a new school year, with all the changes this can entail.

Fruits are plentiful at this time of year but I want to introduce you to an unusual one: quinces. They ripen in the autumn and are available to buy during the cold months, if you can get hold of them. Aren’t they an amazing fruit?


a quinces gathering

a quinces gathering

sports and playgrounds

sports and playgrounds

sports and playgrounds

sports and playgrounds


I know, you’re probably thinking: "what have sports and playgrounds got to do with fruits?" You’re right, it’s artistic license again! Well, as we know, fruits grow outdoors and what do children like doing outside? They like running around and playing games!

And when there is a tree nearby, they like to climb it and wish for a tree house, their own private den, away from parents and teachers, where they can stash treasures found in secret places.


climbing to the den

climbing to the den

a bear in a jar

a bear in a jar


So, you’ve climbed the rope ladder to the tree house where the bear in a jar is waiting for you. Up there, will you sit and dream and build magical things? Wait! Your grandparents are making quince jelly, you must go and watch!

The wooden toy house is by Nauris Jaunzems of Wooden Gift Store and the rope ladder by Andis Ābele of Practical Studio.


the tree house

the tree house

quince in a jar

quince in a jar


If making quince jelly is too much effort, just cut the fruits into chunks after removing the core and simmer slowly with a tiny bit of water until soft: a most scrumptious compote, with or without sugar.


dried quinces

dried quinces

Fruit Talk installation

Fruit Talk installation


A view of the installation from one side.

The red objects you can see are pheromone traps used in orchards to detect the presence of insect pests such as fruit flies. They allow the farmers to monitor their presence and plan the spraying treatments optimally.

The installation was built using a genuine soft fruit harvesting trolley, like the ones fruit pickers use to harvest raspberries and strawberries.



On the opposite end of the harvesting trolley, you will find the last section of the installation: the barbecue. This is a view of the earth resting on charcoal, under a glass cloche used for protecting or "forcing" vegetables on allotments.

No doubt you will have got the message: our earth is on fire. Let's act!

The needle felted earth is by Zuzzza of Restless Needles.


the barbecue

the barbecue

Fruit Talk: side 1

Fruit Talk: side 1


Finally, here are some views of the installation from further away.

The barbecue is at one end. Underneath are sports and playgrounds and the camp fire. To the left is the tree house, the bug hunt and the sunflower sun above. The large black wheels belong to the harvesting trolley, to manoeuvre it in muddy fields.

The Christmas tree is on the opposite side, with the Easter eggs and bunny. Below are the pheromone traps and the quinces in jars.


Fruit Talk: side 2

Fruit Talk: side 2

Fruit Talk: side 3

Fruit Talk: side 3

Fruit Talk: side 4

Fruit Talk: side 4


Above is the installation from two other sides, including the glass seedlings and a few small objects which will remain secret on this website. The physical reality of the artwork is obviously best experienced in an actual exhibition.

Here is the last quote from the focus group:

"When we were growing up we had quite a long garden and my father grew vegetables as everyone did in those days, and the peas, we used to go down the garden and kind of hide behind the vegetables and take all the peas off and eat them, because they’re delicious, as we all know when they’re fresh, and the next door neighbour had a greengage tree and it used to shed fruits in our garden, and we used to sit under this tree willing the fruits to fall because it was scrumptious."


plums and a quince

plums and a quince

plums and mulberries

plums and mulberries

Fruit Full, the exhibition, is the identical twin of this project’s website, with one major, fundamental difference: You can enjoy it in a real, physical space, surrounded by objects which are bigger than yourself and speak directly to you. Each one is unique and there to welcome you in person.

You can meet the fruits, the stars of the show, in the flesh, with their personalities filling up the space and following you around.

You can sit down and learn about the history of sugar and the work of nutrition scientists from books lovingly hand made by the artist. There, if you wish, you can also discover the work of fruit farmers through the seasons.

You can spend time eavesdropping on a focus group chatting about what people ate as children, all these years ago, whilst you walk around the installations, pondering over their meaning, wanting to touch them but knowing you shouldn’t.

And hopefully, by the end, you will understand why it is that most of us like sugar so much. But most of all, you will know that seeing art in the flesh, in a real space, will always win over dipping fleetingly into a webpage...

Fruit Full was due to be exhibited in several venues during 2020 and 2021, including in museums, art galleries and hospitals. Most shows were cancelled because of the coronavirus pandemic. If you are a venue and are interested in the project, please contact us at admin@artsciencefruitfull.uk.

The two images below show the exhibition at the Museum of East Anglian Life in Stowmarket, Suffolk, UK.

Museum of East Anglian Life

Museum of East Anglian Life

Museum of East Anglian Life

Museum of East Anglian Life

Françoise Sergy lives in London. She also spends a lot of time in Cambridge, UK, where her partner lives, and in the Jura mountains of Switzerland, the country she is originally from. She is both an artist and a gardener. For many years she worked as a dance and performance artist, developing her own practice through the prism of feminist aesthetics. Photography has always played an important role in her work.

At the age of 40 she fell in love with plants and trained as a gardener. Plants are now her main focus. Working part-time as an artist means that her projects take a long time to come to fruition but she doesn’t mind. She enjoys the scientific grounding horticulture has given her, using it as another tool in her creative process. Her aim is to work with scientists to reveal how important plants are in our everyday life, even if we are not aware of this, and to celebrate them.

Fruit Full was conceived, researched and produced by artist Françoise Sergy, in partnership with scientists and fruit growers.

The exhibition is looking for venues: For more information, please contact the project at: admin@artsciencefruitfull.uk

All the images on this page are available as prints: £40 / €50 for an A4 print, £50 / €65 for an A3 print (plus postage costs). To order, please contact the artist at admin@artsciencefruitfull.uk

Françoise Sergy has her own website with information about her past and current artwork: www.francoisesergy.uk

Links to the project’s partners and thanks to everyone involved are on the Links Page